To promote his next project, appearing in a stage production of Krapp’s Last Tape by Samuel Beckett, Michael Gambon spoke to The Irish Times. The Harry Potter star mentioned briefly his time as Hogwarts’ headmaster Professor Albus Dumbledore.
“I enjoyed it!” he says proudly of his Dumbledore days, though he admits the role may not have stretched him particularly as an actor. “There’s no character really, it’s just me! Me dressed up in a costume! I’m essentially playing myself, that’s all I’m doing.”
Still, he misses the Harry Potter films. “It’s fun laughing all the time, and I know all the other actors, I’ve known them for years. It’s like being with friends.”
The article also mentions how Mr. Gambon started in acting due to the fact that when he was a boy his father was “a bit of a communist” and suggested he help a local theater which was producing communist plays:
The theatre in question, the Unity Theatre, put on plays for a working-class audience – “communist plays about capitalists” – and it needed help building a set. “So I went round and they immediately said: ‘Will you be in the play tonight? All you’ve got to do is walk on with a cup and a saucer and ask can you have more tea.’ ” He grabs the cup and saucer in front of him in a quick re-enactment of his acting debut. “I just did it!”
He reverts to the cockney accent of his childhood as he delivers his first-ever line again. “‘Can I’ve a cuppa tea?’ . . . I thought: ‘People do this for a living? It’s easy!’”
Mr. Gambon received his first professional acting job in Dublin. Later, he worked with the late Laurence Olivier at his National Theatre Company and then the Birmingham Repertory Company before he received roles in television and films:
The transition from stage to screen presented no major problem – “It’s just acting, isn’t it?” – though he later admits to a nervousness in front of cameras. “They’re frightening! I had to learn how to relax in front of them. Working in America, I watched American actors, who just have the ability to exist in front of the camera. They’re not worried, not frightened. I tried to learn that from them. They break all the rules.”
Mr. Gambon also talked about his time in Hollywood when he is working on a project. (When he was in his thirties, he was considered for the role of James Bond before it was given to Sean Connery).
…“I’ve got six mates there who I always consort with. They’re all English. It’s like going back home. We sit in each other’s houses, and swear . . . We meet on Saturday, have lunch, get pissed, and that’s been my life in Hollywood,” he says with a grin. “You go out every day and do the film, and you look forward to the weekends where you can be English again.”
When asked what makes a great actor, Mr. Gambon was quoted to have replied:
“I don’t know! I’ve no idea!” He looks alarmed at the question. “You can’t teach people to act,” he says, as he struggles to find an answer, before surrendering with a shake of his head. “It’s hard, I can’t answer that.” Yet he is immediately conscious that to fail to define this secret ingredient may contribute to an inflated sense of his profession. “It’s no mystery,” he clarifies with a shrug. “It’s either there or it’s not.” For his own part, he employs no particular technique. “It’s intuitive. I don’t think about it.”
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Source: Beyond Hogwarts
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